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Originally posted by lemonade kid

Here is a truly unknown & therefore underrated classic from 1972--



Oh How She Dances
http://www.youtube.com/watch?v=4GLgFx_wTn4


James Luther Dickinson-"Dixie Fried"


The best known unknown musician Memphis was ever produced…

A great collectors’ solo album from 1971(being out of print for decades) by the dude who played piano on the “Rolling Stones’s(Wild Horses)“

Here are Jim & the Stones listening to Wild Horses after the session
http://www.youtube.com/watch?v=g69labQKuuU&feature=related

and appeared on albums by Aretha Franklin,Sam & Dave,Delaney & Bonnie,
Alex Chilton and who produced/collaborated with Bob Dylan,Ry Cooder,
Mudhoney,Spiritualized,Jon Spencer…weird southern rock goings-on,ranging from Sun Records to Big Star to classic southern boogie…
By Phil Marie
**
By the early 1970s, with the 60s a flaming wreck, Woodstock Nation had pretty much retreated to the idealized dream of an earlier, rural, communal America. Musical icons like the Band’s second album and the Byrds’ Sweetheart of the Rodeo were signposts on a utopian journey into re-imagined roots Americana. It seems ironic that it might have been a mostly unknown producer and musician from Memphis who best gathered the deep strains of Southern music and produced a forgotten masterpiece that stared down and confronted the era’s Nixon White House dread and paranoia, while singing and celebrating a rich musical heritage.

James Luther Dickinson is a mysterious and enigmatic musical figure who, while remaining in relative obscurity, has managed to be part of a lot of essential creation, from Aretha Franklin sessions to Sleepy John Estes, to Ry Cooder, Alex Chilton and beyond. His legendary (and until now, long out of print) 1972 epic Dixie Fried might be among the most appropriately titled albums in rock history: it’s a sometimes scary, often emotional, and always funky amalgam of Memphis soul, country , blues and rock, poetry and personal catharsis.
There are boogie rave-ups here, like the over-the-top version of the Nightcat’s “Wine” that starts the record; all barrel-house piano, raw vocals, shredded-speaker guitars. But that cut is followed by a deeply soulful “The Strength of Love”, sung with conviction over fat, rich organ and celestial gospel choir.
Singer-songwriter Paul Siebel’s “Louise”, about the lonely death of an aging, loose-loving good-time woman, is best known through sad and touching versions by Bonnie Raitt and Leo Kottke. Dickinson plays the tale as a wild and drunken country anthem, driven by fiddle and pedal steel. Somehow his delivery, callous-sounding at first, turns the song into a celebration of a woman who lived life completely on her own terms; it’s as though Louise’s corpse, riding south on the mail train, is letting out a last “**** You” to the living left behind.
And the intensity goes up on the next track, a talking blues version of Dylan’s scathing anti-war, anti-jingoist “John Brown.” Over a funky Memphis groove that might have served as a template for Dylan’s later Muscle Shoals Jesus phase, Dickinson, intoning like some sort of Delta Jim Morrison, recites the almost unbearable story of a mother’s sick pride in her war-ruined son, while soprano sax and ghostly pedal steel keen out desolate obbligatos.
Much of the rest of the album focuses on channeling and re-tooling Memphis musical history: gospel, country blues, and Beale Street jazz march in the proud procession, as in the impassioned Book of Revelations sermon of “The Judgement”, or the rolling, rollicking “Casey Jones” that takes out the album. Every track here is perfect in its own strange and evocative way.
There were only a few other albums in the 1970s roots movement that even attempted to go this deep – the Flying Burrito Brother’s Gilded Palace of Sin and Gene Clark’s forgotten No Other come to mind – but none of them were such true products of the real roots they purported to spring from.
Indeed, with a new Americana revival at hand, and the clouds of a possible Apocalypse on the horizon once again, James Luther Dickinson’s album seems both prescient and timeless. Maybe we’re ready for it this time.
By Kevin Macneil Brown.
**
Jim Dickinson- Vocals, Piano
Charlie Freeman- Guitar
Tommy McClure- Bass
Mike Utley- Keyboards
Sammy Lee Creason- Drums
Mac “Dr. John” Rebbenack- Piano
Albhy Galuten- Toe Piano
Jeff Newman- Pedal Steel Guitar
Jack Pennington Backup- Vocals
Gimmer Nicholson- Guitar
Charlie Lawing- Alto Sax
Mike Ladd- Guitar
Terry Manning- Vocals, Guitar, Electric Piano
Jeanie Greene- Backup Vocals
Mary Holiday- Backup Vocals
Ginger Holiday- Backup Vocals
Joe Gaston- Bass
Sid Selvidge- Guitar, Piano
Edward La Paglia- Backup Vocals
Ken Woodley (ex Alamo)- Keyboards, Bass
Lee Baker (ex Moloch)- Guitar
Brenda Kay Patterson- Backup Vocals
Mary Lindsay Dickinson- Backup Vocals
**
A1. Wine 3:28
A2. The Strength Of Love 3:51
A3. Louise 3 :10
A4. John Brown 6:31

B1. Dixie Fried 2:24
B2. The Judgement 4:08
B3. O How She Dances 3:15
B4. Wild Bill Jones 4:13
B5. Casey Jones (On The Road Again) 6:36

https://rapidshare.com/#!download|344l34|336902499|James_Luther_DICKINSON_-_Dixie_Fried_1972.rar|57062

Casey Jones...brilliant...old country blues
http://www.youtube.com/watch?v=vJ4lX8tCM7U&feature=related

Wild Bill Jones
http://www.youtube.com/watch?v=VTsXtCOj1Ok&feature=related




You really need to check this out!

live 2008
http://www.youtube.com/watch?v=I-M9o6dOR0A

James Luther "Jim" Dickinson (November 15, 1941 - August 15, 2009) was an American record producer, pianist, and singer who fronted, among others, the Memphis based band, Mudboy & The Neutrons.



Jim Dickinson moved to Memphis, Tennessee at an early age. After attending school at Baylor University, he returned to Memphis and played on recording sessions for Bill Justis, and at Chips Moman's American Studios. Dickinson recorded what has been called the last great record on the Sun label, "Cadillac Man" b/w "My Babe" by the Jesters, playing piano and singing lead on both sides, even though he was not an actual member of the group. In the late 1960s, Dickinson joined with fellow Memphis musicians Charlie Freeman, Michael Utley, Tommy McClure and Sammy Creason; this group became known as the "Dixie Flyers" and provided backup for musicians recording for Atlantic Records. Perhaps their best-known work was for Aretha Franklin's 1970 Spirit in the Dark. In December 1969, Dickinson played piano on The Rolling Stones' track "Wild Horses" at Muscle Shoals Sound Studio in Alabama, although it wasn't released until 1971, and in that year on The Flamin Groovies' album Teenage Head. In 1972 Dickinson released his first solo album, "Dixie Fried", which featured songs by Bob Dylan, Carl Perkins and Furry Lewis.[1]

In the 1970s he became known as a producer, recording Big Star's Third in 1974, as well as serving as co-producer with Alex Chilton on the 1979 Chilton album Like Flies on Sherbert. He has produced Willy DeVille, Green on Red, Mojo Nixon, Neon Wheels, Jason & The Nashville Scorchers, The Replacements, Tav Falco's Panther Burns, and Screamin' Jay Hawkins, among many others, and in 1977 an aural documentary of Memphis' Beale Street, Beale Street Saturday Night, which featured performances by Sid Selvidge, Furry Lewis and Dickinson's band Mud Boy and the Neutrons. He has also worked with Ry Cooder, and played on Dylan's album Time Out of Mind. In 1998, he produced Mudhoney's, Tomorrow Hit Today.[1]

His sons Luther and Cody, who played on his 2002 solo effort Free Beer Tomorrow, and the 2006 Jungle Jim and the Voodoo Tiger, have achieved success on their own as the North Mississippi Allstars.

Dickinson also made a recording with Pete (Sonic Boom) Kember of Spacemen 3 fame. "Indian Giver" was released in 2008 by Birdman Records under the name of Spectrum Meets Captain Memphis, with Captain Memphis, obviously, referring to Dickinson.

Snake Eyes

In 2007 Dickinson played with the Memphis-based rock band, Snake Eyes. The band, formed by Memphis musician Greg Roberson (former Reigning Sound drummer), featured Jeremy Scott (also from the Reigning Sound), Adam Woodard, and John Paul Keith. While the band disbanded in October 2008, Dickinson and Roberson went on to form another Memphis group, Ten High & the Trashed Romeos. This band included Jake and Toby Vest (of Memphis band The Bulletproof Vests) and Adam Hill. Ten High & the trashed Romeos recorded two albums, the first including all original compositions written by Dickinson and the band. The second album consists entirely of covers of 60's Memphis Garage Rock songs.

Death

Dickinson died August 15, 2009 at Methodist Extended Care Hospital in Memphis following triple bypass heart surgery.[2]

Interview with his son Luther Dickinson
http://www.youtube.com/watch?v=15Rd03BpI_g&feature=related

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Rock and roll never sleeps, it just passes out.
-George Thorogood

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