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lemonade kid
Old Love
USA
9873 Posts |
 Posted - 10/03/2015 : 16:42:41
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MONKS
Black Monk Time 1966
The story of the Monks is one of those rock & roll tales that seems too good to be true -- five Americans soldiers stationed in Germany form a rock band to blow off steam, and after starting out playing solid but ordinary R&B-influenced beat music, their songs evolve into something that bear practically no relation to anything happening in pop in 1966. If anything, the Monks were far wilder than their story would suggest; they may have looked bizarre in their matching black outfits, rope ties, and tonsures, but it was their music that was truly radical, with the sharp fuzz and feedback of Gary Burger's guitar faced off against the bludgeoning clang of Dave Day's amplified banjo (taking the place of rhythm guitar), as Roger Johnston pounded out minimalist patterns on the drums, Eddie Shaw's electric bass gave forth with a monstrous throb, and Larry Clark's keyboard bounced off the surfaces of the aural melee. This would have been heady stuff even without Burger's wild-eyed vocals, in which he howls "I hate you with a passion, baby," "Why do you kill all those kids over there in Vietnam?" and "Believing you're wise, being so dumb" over the band's dissonant fury. The closest thing the Monks had to a musical counterpart in 1966 were the Velvet Underground, but existing on separate continents they never heard one another at the time, and while Lou Reed and John Cale were schooled in free jazz and contemporary classical that influenced their work, the Monks were creating a new species of rock & roll pretty much out of their heads. Given all this, it's all the more remarkable that they landed a record deal with a major German label, and while Black Monk Time, their first and only studio album, doesn't boast a fancy production, the simple, clean recording of the group's crazed sounds captures their mad genius to striking effect, and the mingled rage and lunatic joy that rises from these songs is still striking decades after they were recorded. Within a year of the release of Black Monk Time, the band would break up (reportedly over disagreements about a possible tour of Vietnam), and the two singles that followed the LP were more pop-oriented efforts that suggested the Monks couldn't keep up this level of intensity forever. But in late 1965, the Monks were rock & roll's most savage visionaries, and Black Monk Time preserves their cleansing rage in simple but grand style. allmusic.com
Black Monk Time is the debut studio album by Germany-based American rock band The Monks. It was released in March 1966 through Polydor Records and was the only album released during the band's original incarnation. The album's subversive style and lyrical content was radical for its time and today is considered an important landmark in the development of punk rock.
Even the record jacket was radical. Think the Beatles got their cover idea from this two years later? We may not have known them in the USA in 1966 but I'm guessing Europe & England did.
Full album play
https://www.youtube.com/watch?v=0XhpXUt82zA
The album was initially released to a muted critical and commercial reception, but has since gone on to become widely critically acclaimed and is now viewed as an important protopunk album. Anthony Carew in a restrospective review for About.com called it "possibly the first punk record, and is the obvious birthplace of krautrock" and "one of the 'missing links' of alternative music history". The Daily Telegraph wrote, "Listening to it now, finally, in full, remastered glory, it's hard to imagine how this primitive and often nightmarish music could have been allowed to be made at that particular time and place. [...] It may not be to every taste but, lurching according to its own sublimely clueless logic, it has a purity and heedlessness which can never be repeated." Uncut wrote, "there's really nothing that can dull the impact of hearing the Monks' music for the first time."
>It was included in the 2005 book 1001 Albums You Must Hear Before You Die.
>It was included in the Sunday Herald's "The 103 Best Albums Ever, Honest" list in 2001.
>It was included in UK magazine The Word' "Hidden Treasure: Great Underrated Albums of Our Time" list in 2005.
Black Monk Time was described in the mid-1990s by Julian Cope of The Teardrop Explodes as a "lost classic". Of the album's raw style, and the context of its production, Cope writes:
NO-ONE ever came up with a whole album of such dementia. The Monks' Black Monk Time is a gem born of isolation and the horrible deep-down knowledge that no-one is really listening to what your [sic] saying. And the Monks took full artistic advantage of their lucky/unlucky position as American rockers in a country that was desperate for the real thing. They wrote songs that would have been horribly mutilated by arrangers and producers had they been back in America. But there was no need for them to clean up their act, as the Beatles and others had had to do on returning home, for there were no artistic constraints in a country that liked the sound of beat music but had no idea about its lyric content.
In 2006 Play Loud! Productions released a Monks tribute album, the double-LP Silver Monk Time, featuring input from 29 international bands (including the original Monks) in conjunction with the film Monks: The Transatlantic Feedback.
English post-punk band The Fall has covered four of the album's songs: "I Hate You" and "Oh How to Do Now" on their 1990 album Extricate, "Shut Up" on their 1994 album Middle Class Revolt, and "Higgle-Dy Piggle-Dy" on the 2006 Play Loud! Productions compilation Silver Monk Time.
"Monk Time" was featured in a 2000 Powerade advertisement.
Beastie Boys, Jack White of The White Stripes, and Colin Greenwood of Radiohead have praised the album.
Track listing
All songs written and composed by Gary Burger, Larry Clark, Dave Day, Roger Johnston and Eddie Shaw.
Side A
No. Title Length
1. "Monk Time" 2:42
2. "Shut Up" 3:11
3. "Boys Are Boys and Girls Are Choice" 1:23
4. "Higgle-Dy-Piggle-Dy" 2:28
5. "I Hate You" 3:32
6. "Oh, How to Do Now" 3:14
Side B
No. Title Length
1. "Complication" 2:21
2. "We Do Wie Du" 2:09
3. "Drunken Maria" 1:44
4. "Love Came Tumblin' Down" 2:28
5. "Blast Off!" 2:12
6. "That's My Girl"
CD reissue with bonus tracks...
Tracklist:
01.Monk Time
02.Shut Up
03.Boys Are Boys & Girls Are Choice
04.Higgle-Dy-Piggle-Dy
05.I Hate You
06.Oh, How to Do Now
07.Complication
08.We Do Wie Du
09.Drunken Maria
10.Love Came Tumblin' Down
11.Blast Off!
12.That's My Girl
13.I Can't Get Over You
14.Cuckoo
15.Love Can Tame the Wild
16.He Went Down to the Sea
17.Pretty Suzanne
18.Monk Chant (Live)
Monks:
Gary Burger Ð vocals, guitar
Larry Clark Ð vocals, organ
Roger Johnston Ð vocals, drums
Eddie Shaw Ð vocals, bass guitar
Dave Day Ð vocals, electric banjo
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"After silence, that which comes nearest to expressing the inexpressible is music".
-Aldous Huxley |
Edited by - lemonade kid on 12/03/2015 14:05:56 |
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lemonade kid
Old Love
USA
9873 Posts |
Posted - 12/03/2015 : 13:59:44
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BLACK MONK TIME (1965 or 1966)
This is the best review (by Scott "Sid" Somers) ever writtenof the Monk's Holy Grail "Black Monk Time", I want to share with you --prognotfrog
The First Time Is
Always Special
(Especially When The First Time Is Monk Time!)
"Was it fun for you?"
OH MARIA!!! WAS IT EVER!!!
As a frequent visitor to the "Rock & Roll Hall Of Fame Inductees Forum", a message board where any and all types of rock music are discussed, fought over, and generally hyped, I tend to dismiss those fans who continually rant "I think this band is great!" or "that group was the best ever!", as examples of their own personal taste. As a lifelong fan of rock & roll I've either heard the music of those artists and long ago made up my mind whether such claims are worthwhile, or, if I haven't actually heard them at least I know of their existence and to which branch of the tree of rock & roll those artists belong, along with a basic understanding of their importance in the scheme of things.
So my interest was aroused by several recent forum posts regarding The Monks, their 1966 album "Black Monk Time", and the recent reunion of the band in New York City after 32 years apart. The Monks? Who were The Monks? Here was a band I had never heard anything about before. Zip! Zilch! Nada! Nil! I made a mental note to check this group out sometime in the future.
As luck would have it, while browsing my local cd store the following weekend, I found a copy of "Black Monk Time". The original album cover was a simple and stark design, completely black and displaying only the band's name and album title. On first impression it instantly reminded me of "The Beatles", the 1968 release better known as "The White Album".
I should mention here that The Beatles are my favorite band and I consider myself quite obsessed with them, having read numerous books about their history and making my own pilgrimage to Liverpool and London to see the sites for myself. Many of these books make the claim that The Beatles were the first to release an album with a completely blank cover, and while technically true, I can't help but wonder if this idea was not first used on The Monks "Black Monk Time", preceeding The Beatles by two years!
The back cover had a series of b&w pictures of the band in various shots, some of them playing their instruments, some of the group just fooling around, but one in particular caught my eye. "WHAT IS WRONG WITH THAT GUY'S HEAD? Why has he got a huge patch on the top of his head shaved clean? What's that all about?!!".
Curiosity got the better of me.
I bought it.
I played it.
"IT'S MONK TIME!" "IT'S MONK TIME!" "IT'S MONK TIME!"
I have not been the same since!
I have been changed!
Not since The Sex Pistols 1977 "Never Mind The Bollocks..." has an album so utterly shaken my view of what rock & roll was, and is, all about!!!! I could not believe what I was hearing. Was this really 1966? Impossible! This music was ten years, at the least, ahead of its time. This album sounds like something that could have been released in the late '70s or early '80s. Hell!!! This album sounds like something that could have been released today!!! Here was rock & roll like I'd never heard it before. It was scary! It was wacky! It sounded so fresh, so vital, and so full of energy. And my God, what energy! Energy at times angry, sometimes bordering on rage, but most of all this music screamed FUN!!!
A big smile crossed my face, the kind of smile you get
when you discover a new pleasure that you've never experienced before. Here was a long lost gem buried in that mountain of Rock. Here was a forgotten treasure. The Monks "Black Monk Time" may be THE BIGGEST SECRET IN THE HISTORY OF ROCK & ROLL!!! But the word is now out, and spreading quickly! (Hey, if a Cheesehead from the Frozen Tundra of Green Bay, Wisconsin found The Monks it won't be long until the rest of the world does too!)
Opening the cd gave me another surprise. There, staring back at me, was the group photo of The Monks, all dressed in black, with white rope ties around their necks, and EACH ONE WITH A BALD PATCH SHAVED OFF THE TOP OF HIS HEAD!!! WHOA! I would later discover that such a haircut is called a "tonsure", usually done as a sign of entrance into a monastic state. Well, that fit. Here was a group image that went far beyond The Beatles moptops, or anybody else that I can recall from 1966. A radical group "look" that was unequaled thematically until perhaps the 1974 debut of KISS. Again, The Monks were ahead of their time.
But what really matters is the music.
AND HERE THEY ARE, THE ANTI-BEATLES!!!
I find it interesting that both The Beatles and The Monks honed their musical skills at some of the same notorious nightclubs of Hamburg's Reeperbahn red-light district. I have often wondered what The Beatles music would have sounded like had they not surrendered to becoming suit-and-tie wearing MopTops, and instead kept to their Hamburg beat group roots as a pill-popping, hard-drinking, band of black-leather-clad teddy boys. Listening to The Monks "Black Monk Time" gave me a small peek at what I've always imagined that "beat music" might have been like. But any similarities end there.
Perhaps the nearest The Beatles could have come to The Monks "sound" would have been if "I'm Down" had been played like "Helter Skelter". The frantic beat and distortion on "Black Monk Time" at times reminds me of The Stooges, The Ramones, and The Sex Pistols. The sometime quirky song arrangements bring to mind The B-52's and Devo, while the ping-pong choruses are reminiscent of The Cars. And yet, nothing I have heard before sounds anything like The Monks! The Monks are unique! The Monks "sound" is proto-Punk! New Wave is definitely neo-Monks!
By 1966 The Beatles were adding more and more layers of instrumentation to their already complex recording technique. The Monks, calling themselves "anti-Beatles", took a minimalistic approach to their music, stripping away most of the melody and precision, and instead replacing it with a heavy drum beat and massively distorted rhythm. MY GOD! YOU WILL NOT BELIEVE THE DISTORTION!!!! THIS CANNOT BE 1966! Heavy distortion on the guitar and the bass. THE BASS!!! And why not add a banjo too? WHAT?!! A BANJO??!! Yep, that's
right! In their search for a more primitive and simplistic sound not only did The Monks strip down the drum sound to an incredibly raw pulsating beat, but in an effort to double that rhythm effect they added a banjo too! IT'S INSANE!! WHO WOULD EVER HAVE THOUGHT OF THAT?!! The Monks, that's who! It works BRILLIANTLY! It was GENIUS! Finally, bubbling up, over, down, and underneath this huge mass of distorted guitars, clacking banjo, and thud
ding drums is a wonderfully frenetic organ. Top it off with great sounding vocals and ,all in all, I have rarely heard anything so fantastic as The Monks "Black Monk Time"!
While The Beatles were beginning to lead the rest of us toward 1967's "Summer Of Love", expressing a utopian message in 1965's "The Word" and escapism in 1966's "Tomorrow Never Knows", The Monks set their sights firmly upon reality. No peace, love, and understanding from these guys, they were going to tell it like it really was (and still is)! The Monks lyrics reverberate with ANGER!!! These guys are pissed off!!! No further proof is needed than the album's opening song, "Monk Time", in which the band defiantly declares its stance, "....you know, we don't like The Army, what Army?, who cares what Army!, why do you kill all those kids over there in Viet Nam?, mad Viet Cong!, my brother died in Viet Nam!".
But here is the strange thing, far from alienating you, in some strange way The Monks wacky song interpretations perfectly describe what a crazy world we all live in, then and now. It's that unspoken recognition that you feel, that "you too know what they know", that this world may be insane but with the music of The Monks this world can also be FUN!
That realization will bring a smile to your face! (Either that, or you've listened to The Monks "Cuckoo" one too many times!)
Want some fun? Go out immediately and find The Monks "Black Monk Time".
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"After silence, that which comes nearest to expressing the inexpressible is music".
-Aldous Huxley |
Edited by - lemonade kid on 12/03/2015 14:06:42 |
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MONKS-Black Monk Time 1966-punk rock holy grail
