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T O P I C R E V I E W
lemonade kid
Posted - 06/08/2013 : 21:36:45Garland Jeffreys-96 Tears, Rock & Roll Garland Jeffreys (born July 3, 1943, Brooklyn, New York) is a part African-American, and Puerto Rican American, singer and songwriter, transversing the musical genres of rock and roll, reggae, blues and soul.
Wild in the Streets is my pride and joy. I consider it my "first" Rock 'n' Roll record, written and released in 1973, and recorded with Dr. John and his band, with Alan Freedman, Michael Brecker, David Sanborn, David Spinozza, David Peel, Produced by Roy Cicala.............. ---Garland ----------------------------------- Single written and released in 1973. Also on the album "Ghost Writer" (A & M Records, 1977) and reissued on the album "I'm Alive" (Universal International, 2006). ----------------------------------- Garland Jeffreys: Lead vocal and acoustic guitar John Boudreaux: Drums Rick Marrotta: Drums Johnny Ace: Bass Alan Freedman: Acoustic electric guitar Sugarbear: Electric guitar Dr. John: Clavinet Michael Brecker: Tenor sax Randy Brecker: Trumpet David Sanborn: Soprano sax Phil Messina: Trombone David Peel and Friends: Background vocals Produced by Roy Cicala and Garland Jeffreys Arranged by Garland Jeffreys and Dr. John Recorded and mixed by Roy Cicala at Record Plant, 1973 Mastered at Atlantic ----------------------------------- Video compiled and edited by Doug Webb / Connect Artists (http://www.connectartists.com). ----------------------------------- WILD IN THE STREETS (Music and Lyrics by Garland Jeffreys)
In the heat of the summer Better call up the plumber And turn on the street pump To cool me off With your newspaper writers And your big crime fighters You still need a drugstore To cure my cough
Running wild in the streets
We got a gang called Shady And a midnight lady And two transvestites To beat the band You better not touch us You best believe us Your teenage Johnny's Gonna be a man
Runnin' wild in the streets
Mrs. America Tell me how is your favorite son Do you really care What he has done
Jeffreys is from Sheepshead Bay, Brooklyn. He majored in art history at Syracuse University where he met Lou Reed, before The Velvet Underground became active.[1] In 1966, Jeffreys began to play in Manhattan nightclubs including Gerde's Folk City, The Bitter End, Gaslight, Kenny's Castaways, and later Reno Sweeney, where he began to explore racially conscious themes in his work, sometimes utilizing blackface masks and a rag doll named Ramon in performance. Jeffreys played guitar on John Cale's 1969 debut solo album Vintage Violence and contributed the song "Fairweather Friend". In 1969 he founded Grinder's Switch with Woodstock-area musicians including pianist Stan Szelest, guitarist Ernie Corallo, and percussionist Sandy Konikoff. Lew Merenstein produced this one album before the band dissolved in 1970.
In 1973, he released his first solo album, Garland Jeffreys, on Atlantic Records. Around the same time Atlantic also released a single, "Wild in the Streets", that was not included on the album. Jeffreys wrote the song after hearing about a pre-teen rape and murder in the Bronx. Dr. John played clavinet and helped arrange the song, with backing from guitarist David Spinozza, drummer Rick Marotta, the Brecker Brothers on horns and David Peel on background vocals. The track received airplay on the progressive FM album-oriented rock stations, and has become one of his best-known songs.
"Wild in the Streets" has become something of an unofficial anthem for the skate community and been covered by several musicians, including:
* The Circle Jerks, on their album Wild in the Streets * Chris Spedding, on the album Hurt * British Lions, on their album British Lions * Hot Water Music, on the album Til the Wheels Fall Off * Hurriganes, on Fortissimo
In 1977 Garland recorded his Ghost Writer album for A&M Records, with "Wild in the Streets" included on side two. All the tracks are autobiographical, encompassing bittersweet tales about coming of age as an artist in the big city ("Ghost Writer"), of racial separatism ("Why-O"), of interracial romance ("I May Not Be Your Kind"), and of overcoming conflict at home ("Cool Down Boy").[citation needed]
The next years saw a string of albums, five within five years, and the release of "Matador" which charted in the top five of a number of countries.[2] This burst of productivity culminated with Guts for Love, a meditation on the challenges of monogamy and fidelity. After a long hiatus, much of it spend woodshedding, reading and researching, Jeffreys released Don't Call Me Buckwheat, devoted to the complexities of race in America. The title was triggered by an incident at Shea Stadium where Jeffreys was enjoying the game and feeling carefree. He stood to go get a hotdog when a voice shouted "Hey buckwheat, sit down!" The casual epithet was a jolt and it spurred a number of memorable songs including "Don't Call Me Buckwheat, " "I Was Afraid of Malcolm," "Racial Repertoire." In February 1992, Jeffreys' recording of "Hail Hail Rock 'n' Roll" (RCA PB49171), spent one week at #72 in the UK Singles Chart.[3]
Jeffreys was featured in the 2003 documentary The Soul of a Man, directed by Wim Wenders as the fourth installment of the documentary film series The Blues produced by Martin Scorsese. The film explored the musical careers of blues musicians Skip James, Blind Willie Johnson and J. B. Lenoir. Jeffreys was also featured on the cover of Beyond Race Magazine in February 2007. "Wild in the Streets" can be heard in the 2012 video game Max Payne 3.
On May 28, 2012, at the Pinkpop Festival in Landgraaf, Holland, Jeffreys joined Bruce Springsteen and The E Street Band onstage for a performance of ? and the Mysterians' 1966 hit "96 Tears", which Jeffreys had covered on his 1980 album "Escape Artist".