| T O P I C R E V I E W |
| lemonade kid |
Posted - 31/12/2011 : 17:53:56
ROY HARPER....progressive acoustic in the genius sense of the words!
(Listening to STORMCOCK again inspired me to research and assemble this little bio..I hope you all enjoy and are inspired also to check out Roy Harper...again or for the first time!!)
Listen & read on....
Me & My Woman
http://www.youtube.com/watch?v=7VHc13c8O_U
Iconoclast, genius of the guitar, songwriting, vocals...revered by Jimmy Page (appeared with Harper first on "STORMCOCK" as S. Flavius Mercurius 1971), vocal work with Pink Floyd in "Wish You Were Here", and influenced countless artist over the years and even today....Zep III tribute to Roy..."Hats Off To Roy Harper"....
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Roy Harper (born 12 June 1941) is an English folk/rock singer-songwriter and guitarist who has been a professional musician since 1964. He has released a large catalogue of albums (21 studio albums and 10 live albums) most of which are available on his record label Science Friction (as CD and / or Music download).
Musically, American blues musician Leadbelly and folk singer Woody Guthrie were his earliest influences,[1] and whilst in his teens, jazz musician Miles Davis. Harper was also exposed to classical music in his childhood and has pointed to the influence of Jean Sibelius' Karelia Suite. Lyrical influences include the 19th century Romantics (especially Percy Shelley), and John Keats poem Endymion. Harper has also cited the Beat poets as being highly influential, particularly Jack Kerouac.[2][3] As a musician, Harper is known for his distinctive fingerstyle playing and lengthy, lyrical, complex compositions, a result of his love of jazz and Keats.[4]
His influence has been acknowledged by many musicians including Jimmy Page and Robert Plant of Led Zeppelin (who named the song "Hats Off to (Roy) Harper" after him), Pete Townshend of The Who, Kate Bush, Pink Floyd (who invited him to sing guest lead vocals on their song "Have a Cigar"), and Ian Anderson of Jethro Tull; who stated Harper was his "...primary influence as an acoustic guitarist and songwriter." [5]
More recently, Harper's influence has reached across the Atlantic and been acknowledged by Seattle-based acoustic band Fleet Foxes and Californian harpist Joanna Newsom, with whom he has also toured. In 2011, Harper turned 70 and performed a celebratory concert at London's Royal Festival Hall.
Early life (194165)
Harper was born in 1941 in Rusholme, a suburb of Manchester. His mother, Muriel, died three weeks after he was born. From the age of 6, he was raised in Blackpool by his father and stepmother, with whom he became disillusioned because of her Jehovah's Witness beliefs. Harper's anti-religious views would later become a familiar theme within his music.[6]
At the age of 13, he began playing skiffle music with his younger brother David, ("Davey" on the album Flat Baroque and Berserk), as well as becoming influenced by blues music. At 14 he formed his first group (De Boys) with his brothers David and Harry.[7] Harper was educated at King Edward VII School, Lytham St Annes, then a Grammar school and left at the age of 15 (1956) to join the Royal Air Force.
Harper eventually rejected the rigid discipline, feigned madness in order to obtain a military discharge and received one electroconvulsive therapy treatment at Princess Mary's RAF Hospital, Wendover. After being discharged from there, he spent one day inside the former 'Lancaster Moor Mental Institute' before escaping. These experiences would later make their way into "Committed", a song on Sophisticated Beggar, Harper's debut album.
Upon his eventual exit from a troubled youth, c. 1961, he busked around North Africa, Europe and London for a few years. On his return to London, he gained a residency at London's famous Soho folk music club, Les Cousins in 1965, having been introduced to it by Peter Bellamy of The Young Tradition.
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Within the first week Harper saw John Renbourn, Alexis Korner, Paul Simon, Alex Campbell and Bert Jansch play and he would play, associate, and 'rub shoulders' with other artists arriving later, including John Martyn, Joni Mitchell and Nick Drake.
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The first record deals (196669)
Harper's first album, Sophisticated Beggar, was recorded in 1966 after he was spotted at Les Cousins and signed to Peter Richards' Strike Records. The album consisted of Harper's songs and poetry backed by acoustic guitar and recorded with a Revox tape machine by Pierre Tubbs. (English guitarist Paul Brett also contributed his skills).
CBS Records recognised Harper's potential and hired American producer Shel Talmy to produce Harper's second album, Come Out Fighting Ghengis Smith, which was released in 1967. The 11 minute track "Circle" was notable for marking a widening of Harper's musical style away from the more traditional side of contemporary folk music heard at the time. Harper never had any interest in traditional folk and did not consider himself a bona fide member of the folk scene. He later explained:-
I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernise music, but more than that to completely modernise peoples attitudes towards life in general. I was involved in trying to bring meat to the folk music...[9]
Bert Jansch wrote the sleeve note for the album. During this period, Harper was managed by American music entrepeneur Jo Lustig; manager of The Pentangle and former agent to Julie Felix.
In June 1968, Harper performed at the first free concert ever held at Hyde Park, sharing the bill with Jethro Tull, Pink Floyd and Tyrannosaurus Rex, and began to attract a following of fans from the underground music scene.[10] He also toured the UK, performing at numerous venues such as the Lyceum Ballroom, Klooks Kleek and Mothers; venues that would gradually gain recognition for the variety and quality of their musical acts. Mothers in Birmingham was one such venue, and one to which Harper would frequently return.[11] Harper later told Brum Beat magazine:
That was the first club outside London that meant anything at all and that's why there's been this long association with Birmingham. I played there about six times between 1968 and 1970. I have always enjoyed playing here.[11]
In 1969 Harper undertook a short 6-venue tour with Ron Geesin and Ralph McTell.[12] The tour programme contained the introductory paragraph:-
Roy Harper isn't an example of any category, the epitome of any movement or a rung on anybody's ladder; he built himself alone, piece by piece and his defiant character stands proud as if chiselled from belligerent granite.[13]
That same year, Harper released his third album Folkjokeopus. The album was again produced by Shel Talmy, and released by Liberty Records. Side two included an extended 17-minute track, titled "McGoohan's Blues", which Harper referred to as the "main statement" within the album. Of his non-conformance to radio-friendly, standard, three-minute songs, Harper claimed it to be a revolt, and that he regarded the three-minute pop song as an anathema, a jingle to sell a band.[9] (The title for "McGoohan's Blues" was a reference to actor Patrick McGoohan, who had starred in the UK TV series The Prisoner two years earlier).
hors d' oeuvres
http://www.youtube.com/watch?v=UBVK3QgZ5W4
The Harvest years (197080)
____________________________
With Harper's reputation growing, Pink Floyd's manager Peter Jenner signed him to a long-term (and at times confrontational) deal with EMI's 'underground' subsidiary, Harvest Records.[14] Over a ten year period, Harper would record 8 albums at the Abbey Road Studios, for the Harvest label [15] and for much of this period was managed and produced by Jenner, initially acting for Blackhill Enterprises. According to Jenner, "Harper is a terrific songwriter, but a bit crazy".[16]
Harper's first tour of the United States followed the release of his fourth studio album, Flat Baroque and Berserk, in 1969. The album also featured The Nice on the track "Hell's Angels". Its ethereal sound was achieved by a wah-wah pedal attached to Harper's acoustic guitar.
After the Bath Festival of 1970, Led Zeppelin paid tribute to Harper with their version of the traditional song, "Shake 'Em on Down". Retitled "Hats Off to (Roy) Harper", it appeared on the album Led Zeppelin III. According to Jimmy Page, the band admired the way Harper stood by his principles and did not sell out to commercial pressures. In mutual appreciation of their work, Harper would often attend live performances by Led Zeppelin over the subsequent decade, contributed sleeve photography to the album Physical Graffiti and also appeared, albeit uncredited, in the 1976 Led Zeppelin documentary film, The Song Remains the Same.
Harper's critically acclaimed 1971 album was a four-song epic, Stormcock. The album featured Jimmy Page on guitar (credited as "S. Flavius Mercurius" for contractual reasons) and David Bedford's orchestral arrangements (Bedford would also collaborate on some of Harper's future releases). Harper felt the album to be not particularly well promoted by his record label at the time and later stated:
They hated Stormcock. No singles. No way of promoting it on the radio. They said there wasn't any money to market it. Stormcock dribbled out.[17]
Never-the-less, Stormcock would remain a favourite album of Harper's fans and influence musicians for decades to come. Thirty five years later (in 2006) fellow Mancunian, Johnny Marr of English alternative rock band The Smiths said:
If ever there was a secret weapon of a record it would be Stormcock... It's intense and beautiful and clever: [Bowie's] Hunky Dory's big, badder brother.[18]
Joanna Newsom cited Stormcock as an influence upon her 2006 release Ys and in 2011, Robin Pecknold of Seattle, Washington-based folk band Fleet Foxes stated that he took inspiration from Stormcock when recording Fleet Foxes second album Helplessness Blues.
In 1972, Harper made his acting debut playing Mike Preston alongside Carol White in the John Mackenzie film Made. Harper also recorded the soundtrack for the film, released the following year as Lifemask.
At the time, Lifemask was created as Harper's final bow, as he had been diagnosed with the (then) little-known genetic condition HHT, which caused polycythemia, incapacitating him. The cover art shows Harper's life mask, as opposed to the 'death mask' it might have been.
After recovering, (treatment involved frequent venesection) his next album (Valentine) was released on Valentine's Day, 14 February 1974, and featured contributions from Jimmy Page. A concert to mark its release was held on the same day at London's Rainbow Theatre, with Page, Bedford, Max Middleton, Ronnie Lane and Keith Moon performing alongside Harper. His first live album Flashes from the Archives of Oblivion, recorded at that concert, soon followed.
Pink Floyd's 1975 release Wish You Were Here saw Harper sing lead vocals on the song "Have a Cigar". Roger Waters intended to record the part himself, but had strained his voice while recording "Shine On You Crazy Diamond" and David Gilmour declined to sing. Harper was recording his album HQ in Studio 2 of Abbey Road at the same time as Pink Floyd were working in Studio 3; learning of the band's dilemma Harper offered to sing the lead. The song is one of only two songs by Pink Floyd not sung by one of their permanent members. David Gilmour returned the favour by appearing on HQ, along with Harper's occasional backing band, 'Trigger' (Chris Spedding, Dave Cochran, Bill Bruford and John Paul Jones). The single "When an Old Cricketer Leaves the Crease", taken from HQ, is one of Harper's best known songs. Harper also co-wrote the song "Short and Sweet" with Gilmour for Gilmour's first solo record, David Gilmour, released in 1978.
Controversy followed the release of 1977's Bullinamingvase. The owners of Watford Gap service station objected to criticism of their food "Watford Gap, Watford Gap/A plate of grease and a load of crap
" in the lyrics of the song "Watford Gap". Harper was forced to drop it from future UK copies of the album, though it remained on the U.S. LP and reappeared on a later CD reissue. The album also featured the song "One of Those Days in England", with backing vocals by Paul McCartney and his wife at the time Linda, the single from the album went to number 42 in the UK charts. During this period, Harpers band were renamed 'Chips' and included Andy Roberts, Dave Lawson, Henry McCullough, John Halsey and Dave Cochran. In April 1978, Harper began writing lyrics for the next Led Zeppelin album with Jimmy Page, but the project was shelved when lead singer Robert Plant returned from a sabbatical after the death of his son, Karac Pendragon.
Following the success of Bullinamingvase Harper was asked "to write another record quickly". Demo recordings with Harpers newly formed backing band 'Black Sheep' (Andy Roberts, Dave Lawson, Henry McCullough, John Halsey and Dave Cochran, a.k.a. Dave C. Drill).[19][20] were made, but Harper felt them to be rushed and the record company who "...were in the first stages of a collapse in sales..." [21] were not interested in the recordings, nor were they prepared to provide studio time when requested, telling Harper to come back in six months. As a result, Harper witheld the publishing rights to that which had been recorded; an album provisionally entitled Commercial Breaks (doesn't it?) and was (in his own words) "outlawed" [21] by the record company.
From 19751980 Harper worked with English musician and 'Black Sheep' member Andy Roberts sometimes performing as a duo. During this period, Harper spent considerable time in the United States and signed with the US division of Chrysalis Records, who released HQ with a different title When an Old Cricketer Leaves the Crease and with alternative artwork. Chrysalis considered the original Hipgnosis designed album cover of Harper walking on water to be too offensive for an American release. Harper disagreed, but was given no choice by the label. Chrysalis also changed the title of Harper's next album, Bullinamingvase, to One of Those Days in England. In 1978, US Chrysalis reissued Harper's first five Harvest albums, only one of which (Flat, Baroque and Berserk) had been previously released in America.
Harper returned to the studio a few years after his dispute with EMI to record and prepare his next album The Unknown Soldier (1980). At the time Harper knew it would be his last release on the label and it was these demos that "...were destined to gather dust on a shelf labelled 'Commercial Breaks'...".[21] (It was not until Harpers 1988 release Loony on the Bus that some of these songs became officially available, and another six years until the album was finally released as Commercial Breaks (1994)).
In 1980 Harper released The Unknown Soldier, which was indeed his final Harvest release. The album contains a duet with Kate Bush on the track, "You". Harper later reciprocated by singing backing vocals on "Breathing", on Bush's album Never For Ever. During a BBC Radio interview by Paul Gambaccini, Bush praised Harper stating:
Roy is one of the greatest English songwriters we've had, and people just don't realise it. And I really think that when they do we're going to have another top songwriter up there. He's brilliant.[22]
Of Bush, Harper later said,
Kate is a fantastic musician and very professional as well. Working with Kate is a very smooth operation because she always knows what she wants to do, surprising you too, which is what good musicians always do" [23]
A decade later, Harper and Bush would again collaborate on his 1990 release Once.
Recession and repossession (198189)
Harper's 1982 album Work of Heart was released on Public Records, a newly-formed record label Harper created with Mark Thompson (son of English historian, socialist and peace campaigner E.P. Thompson and brother of Kate Thompson). During this period Harper toured with a band consisting of Tony Franklin on Bass, Bob Wilson of The Steve Gibbons Band, George Jackson on drums and Dave Morris on keyboards. The album was chosen by Derek Jewell of The Sunday Times as "Album of the Year" in 1982, but it did not sell well and the short-lived label went under.
During this period Harper lost his home, a farm in the village of Marden, Herefordshire, to the bank. His manager at the time mortgaged Harper's house (by virtue of the Power of Attorney Harper had granted him), pocketed the proceeds and disappeared to America.[24] Of this period Harper stated:-
...I can proudly say that I was one of the first casualties of the eighties recession!... It was a chaotic period and one that I don't care to remember that often... There is no doubt in my own mind that the early eighties were the nadir of my life in music".[25]
The original demo version of Work of Heart was later released (in 1984) on a limited edition (830 copies) vinyl release entitled Born in Captivity.
Throughout 1984, Harper toured the United Kingdom with Jimmy Page performing a predominantly acoustic set at folk festivals under various guises such as The MacGregors, and Themselves. In 1985, Whatever Happened to Jugula? was released. The album caused a resurgence of interest in Harper and his music. (Tony Franklin, bass player in Harper's group at this time, would later join Page in The Firm). In April 1984, Harper and Gilmour performed "Short and Sweet" (a song they co-wrote) during Gilmour's three-night run at The Hammersmith Odeon. This version later appeared on the David Gilmour Live 1984 concert film. Harper also provided backing vocals on Gilmour's newly released album, About Face.
On 20 June 1984 Harper performed at the last Stonehenge Free Festival along with Hawkwind and The Enid. The concert was videoed and released as Stonehenge 84.
As a result of Harpers continual touring and the popularity of Whatever Happened to Jugula?, Harper re-signed to EMI and in 1986 released a live album, In Between Every Line (containing recordings from his performances at the Cambridge Folk Festival), and in 1988 the studio album, Descendants of Smith. The renewed relationship between Harper and EMI did not last and from 1985 more of his earlier albums were becoming available on the newly formed Awareness Records label.
1988 also saw the release of Loony on the Bus, a collection of tracks recorded a decade earlier and intended for release in 1977 as Commercial Breaks (with the sub-title, 'doesn't it?'). The original release having been held back because of disputes over funding and content between Harper and EMI. Sales of Loony on the Bus would fund Harper's 1990 release; Once.[26]
Science Friction (199099)
In 1993 [27] Harper established his own record label Science Friction and obtained the rights to all his previously released albums. As a result, from 1994 much of Harper's back catalogue became available on CD once more.
Harper was very productive during the decade, releasing five studio albums: Once (1990), Death or Glory? (1992), Commercial Breaks (1994), The Dream Society (1998), a collection of poetry and spoken word tracks Poems, Speeches, Thoughts and Doodles (1997); two live albums: Unhinged (1993) and Live At Les Cousins (1996), and six individual CDs of live concerts and sessions recorded by the BBC (1997).
In addition, Harper released a live video Once (1990), an EP Burn the World (1990), a 4-track CD single Death or Glory? (1992), a limited edition live cassette Born in Captivity II (1992) (featuring cricketer Graeme Fowler and a cricket poem written by Harper: "Three Hundred Words"), a compilation album An Introduction to ..... (1994), and a reissue of Descendants of Smith (his 1988 release) renamed Garden of Uranium (1994).
Once again Harper collaborated with David Gilmour and Kate Bush on his 1990 release, Once. The album also featured contributions from Nigel Mazlyn Jones, a fellow English guitarist, singer and songwriter. In 1992, his marriage to his wife Jacqui ended and Harper released Death or Glory? an album that contains a number of songs and spoken word pieces that reference his loss and pain.
Throughout the decade, Harper's musical influence began to be recognised by a younger generation of musicians, some of whom covered his songs or invited him to make guest appearances on their albums. In 1995 Harper contributed spoken words on The Tea Party's 1995 album The Edges of Twilight, and appeared on stage for their New Year concert in Montreal. In 1996 Roy recited "Bad Speech" from his album Whatever Happened to Jugula? on Anathemas album Eternity (the album also contains a cover version of "Hope" from the same album). The track "Time" from The Tea Party's 1996 multimedia CD, Alhambra, was sung and co-written by Harper.
Harper contributed his version of Jethro Tull's song, "Up the 'Pool" (from Living in the Past) for the 1996 tribute album, To Cry You A Song - A Collection Of Tull Tales, a version Anderson liked so much, he began to perform the "forgotten piece" again in concert.[28]
In 1998, Jethro Tull singer Ian Anderson contributed flute to the song, "These Fifty Years" on Harper's The Dream Society, an album based on emotional, philosophical and actual events in Harper's life.[29] Views of procreation, his mother's continued presence in him and something of his psychological impulses are punctuated by a couple of moments of satire,[30] a love song and a lament, followed by the lengthy "These Fifty years", of which he has said, "In some ways its (anti-organised religion) theme is similar to 'The Same Old Rock', but in many others I think it's stronger".[31] Reportedly, Anderson said that the only reason he originally left Blackpool was because Harper did.[32] Other artists who covered Harper's songs (or songs on his albums) throughout the decade include Dean Carter, Ava Cherry & The Astronettes, Green Crown, The Kitchen Cynics, The Levellers, Roydan Styles and Pete Townshend.[33] Harper also undertook a short tour of the USA, where some performances were supported by Daevid Allen, former Soft Machine and Gong band member.
[edit] Into a new millennium (20002010)
In 2000, Harper released an almost entirely acoustic album, The Green Man, accompanied by The Tea Party's Jeff Martin on guitar, hurdy gurdy and numerous other instruments. The following year (2001) Harper celebrated his 60th birthday with a concert at London's Royal Festival Hall. Harper was joined by numerous guest artists, including David Bedford, Jeff Martin and John Renbourn. A recording of the concert Royal Festival Hall Live June 10th 2001 was released as a double CD shortly afterwards.
In 2003, Harper published The Passions of Great Fortune, a large format book containing all the lyrics to his albums (and singles) to date, which also included a wealth of photographs and commentary on his songs.
In April 2005, Harper released a lengthy CD single, The Death of God. The 13 minute song, a critique of the war in Iraq, featured guest guitarist Matt Churchill, who has also joined Harper on stage at his live performances. A video of this song, intermixing animation with a live performance, is available in four parts on YouTube. The same year saw the release of Counter Culture, a double compilation album featuring songs from a 35-year songwriting period. Counter Culture received a five-star review from UNCUT magazine. Harper also contributed a recital of "Jabberwocky" for The Wildlife Album, an 18-track compilation CD to benefit the World Wide Fund For Nature and the Ulster Wildlife Trust.
Performing at the Palace Theatre, Manchester, 18th September 2010
2006 saw Harper release his first DVD, Beyond the Door. Composed of live footage recorded in 2004 at Irish folk club "De Barra's" in Clonakilty, Cork, the package includes an additional 10-track audio CD and received a 4-star review from both Mojo and UNCUT, as well as from Classic Rock magazine, who made it their "DVD of the month".
In September 2007, Harper supported Californian harpist Joanna Newsom at her Royal Albert Hall performance. Newsom had been impressed by Harper's 1971 album Stormcock, and it served as an inspiration for her second album, Ys.[6] During his Royal Albert Hall appearance with Newsom, Harper played Stormcock in its entirety. At the time, Harper made an announcement on his website that he was "...taking a break from the live scene... retired from gigging..." and just wanted "...the time and space to write..." [34]
During this period, Harper dedicated his time to collecting and compiling his life's work in various formats. One of the intended projects was to be the making of a documentary DVD to round off this process.[32]
In 2008, plans were announced for a Roy Harper tribute album. The album, All You Need is What You Have (named after songs on Harper's 1969 release Come Out Fighting Ghengis Smith), is being compiled by Laurel Canyon folk singer Jonathan Wilson, and features Chris Robinson (The Black Crowes), Gary Louris (The Jayhawks), Johnathan Rice, Eric Johnson (Fruit Bats, The Shins), Benji Hughes and others. At present, the collection remains unfinished, having been delayed beyond its planned 2009 release date. Some of the tracks can be heard on the project's Myspace page.[35]
In 2010, Newsom once again invited Harper to be special guest for her on several of her European Tour Dates.[36][37] Plans for Harper to star in the film Rebel City Rumble [38][39] were also announced.[40]
2011 onwards
On 2 April 2011, Roy Harper played a concert for a small audience at Metropolis Studios as part of the ITV Legends series.[41] The concert was recorded on video and and released on DVD as Classic Rock Legends: Roy Harper.[42]
Through the summer of 2011, Harper made a number of appearances on broadcast media. On 24 July 2011, Harper appeared as the lunchtime guest on the British cricketing radio programme, Test Match Special. During the show Harper was interviewed and also performed "When An Old Cricketer Leaves The Crease". A televised interview followed on BBC Breakfast on the 19 September 2011, and Harper was also interviewed by Robert Elms on his BBC London 94.9 show on the 20 September 2011. During the show, Harper performed "Another Day", (a song from his 1970 album Flat Baroque and Berserk) live in the studio. A further interview took place on Mike Hardings BBC Radio 2 show on the 21 September 2011.
On 23 September Harper was interviewed on Jools Hollands BBC Two programme, Later... with Jools Holland. A segment of Harper performing "Commune" (from his 1974 album Valentine) on the The Old Grey Whistle Test in 1974 was shown. Harper performed "Another Day", an abbreviated version of "I Hate The White Man" (from his 1970 album Flat Baroque and Berserk) and "The Green Man" (as part of a web exclusive performance).
The media appearances were to promote a new compilation albums release. Songs of Love and Loss; a 2 disc, 23 track compilation of Harpers love songs, was released as an introduction to the release campaign of 19 of Harpers albums to the digital market place for the first time. The catalogue is to be released in batches of four in the coming months. The album (and most of Harper's back catalogue) is also available to download on Harper's website in FLAC and MP3 formats.[43][44]
On 5 November 2011 Harper returned to London's Royal Festival Hall to celebrate his 70th birthday and perform once again with special guests Jonathan Wilson, Nick Harper, Joanna Newsom and Jimmy Page. The performance was described in the media as "...an evening of devastating musical brilliance..." [45] and an "...historic concert".[46]
Awards
HQ was awarded Record of the Year in Portugal in 1975. That year Harper also received a similar award in Finland for the same record.
Work of Heart was awarded The Sunday Times Album of the Year in 1982.
Harper was awarded the MOJO Hero Award [47] by the staff of Mojo magazine on 16 June 2005 at the Porchester Hall, Central London. The award itself was presented by long time collaborator and friend, Jimmy Page and now hangs upon the wall at De Barras Folk Club in Clonakilty, Ireland.
Nick Harper
One of Roy's sons, Nick Harper, is a successful singer / songwriter in his own right. In the past, Nick occasionally toured and recorded with Roy, and has appeared (as guitarist) on a number of his albums since 1985.
-wiki
Discography
Studio albums
* 1966 Sophisticated Beggar
* 1967 Come Out Fighting Ghengis Smith
* 1969 Folkjokeopus
* 1970 Flat Baroque and Berserk
* 1971 Stormcock
* 1973 Lifemask
* 1974 Valentine
* 1975 HQ (US title: When an Old Cricketer Leaves the Crease)
* 1977 Bullinamingvase (US title: One of Those Days in England)
* 1980 The Unknown Soldier
* 1982 Work of Heart
* 1984 Born in Captivity
* 1985 Whatever Happened to Jugula? (with Jimmy Page)
* 1988 Descendants of Smith
* 1988 Loony on the Bus
* 1990 Once
* 1992 Death or Glory?
* 1994 Commercial Breaks (previously unreleased album from 1977; 9 of its 12 tracks are available on Loony on the Bus)
* 1994 Garden of Uranium (reissue of Descendants of Smith)
* 1997 Poems, Speeches, Thoughts and Doodles (A collection of spoken tracks with occasional instrumentation)
* 1998 The Dream Society
* 2000 The Green Man
Live albums
* 1974 Flashes from the Archives of Oblivion
* 1984 Live at the Red Lion, Birmingham (Volume I & II Limited edition cassette)
* 1985 Live at the Red Lion, Birmingham (Volume III Limited edition cassette)
* 1986 In Between Every Line
* 1992 Born in Captivity II (Limited edition cassette)
* 1993 Unhinged (Edited version of Born in Captivity II)
* 1996 Live At Les Cousins
* 1997 The BBC Tapes Volume II (In Concert 1974)
* 1997 The BBC Tapes Volume IV (In Concert 1975)
* 1997 The BBC Tapes Volume VI (In Concert 1978 with Andy Roberts)
* 2001 Royal Festival Hall Live June 10th 2001
Compilations
* 1978 Harper 19701975
* 1994 An Introduction to .....
* 1997 Song of the Ages (3-CD collection of Roy Harper interviews)
* 1997 The BBC Tapes Volume I (19691973)
* 1997 The BBC Tapes Volume III (BBC Sessions 1974)
* 1997 The BBC Tapes Volume V (BBC Sessions 1975 - 1978)
* 2001 Hats Off (compilation of collaborative tracks)
* 2001 East of the Sun (compilation of love songs)
* 2002 Today Is Yesterday (compilation of demo, unreleased and rare material from 19641967)
* 2005 Counter Culture (double disc compilation)
* 2007 From Occident to Orient (compilation and initially, only released in Japan whilst Harper toured there)
* 2011 Songs of Love and Loss (two volume compilation of love songs)
Reissues and remixes
* 1977 The Early Years (reissue of Come Out Fighting Ghengis Smith)
* 1994 Garden of Uranium (reissue of Descendants of Smith)
* 1998 Death or Glory? (tracks 1 & 9 remixed)
Collaborations
* 1970 "St. Thomas" (guest lead vocal and lyrics for The Nice and appears on America - The BBC Sessions)
* 1971 "Ravneferd" (co-written with Lillebjψrn Nilsen and appears on the album Tilbake)
* 1975 "Have a Cigar" (guest lead vocals for Pink Floyd)
* 1978 "Short and Sweet" (co-written with David Gilmour and appears on The Unknown Soldier)
* 1995 The Edges of Twilight (spoken word on hidden track for The Tea Party)
* 1995 "Time" (guest lead vocals for The Tea Party's Alhambra multimedia CD)
* 1996 "Hope" [spoken word ("Bad Speech" from Whatever Happened To Jugula] on Anathema's album "Eternity". Also appeared in the promotional video for this song).
Singles / 12" Singles / EPs
* 1966 Take Me Into Your Eyes / Pretty Baby
* 1967 Midspring Dithering / Zengem
* 1968 Life Goes By / You Don't Need Money
* 1972 Bank of the Dead / Little Lady
* 1974 (Don't You Think We're) Forever / Male Chauvinist Pig Blues (live)
* 1974 Home (live) / Home (studio)
* 1975 When an Old Cricketer Leaves the Crease / Hallucinating Light (live)
* 1975 Grown-Ups Are Just Silly Children / Referendum (Legend)
* 1977 One of Those Days in England / Watford Gap
* 1977 One of Those Days in England / Watford Gap (Germany)
* 1977 Sail Away / Cherishing the Lonesome
* 1978 When an Old Cricketer Leaves the Crease / Home (studio)
* 1980 Playing Games / First Thing in the Morning
* 1980 Short and Sweet / Water Sports / The Unknown Soldier
* 1982 No-One Ever Gets Out Alive / Casualty (live at Glastonbury 1982)
* 1983 I Still Care / Goodbye Ladybird (acoustic)
* 1985 Elizabeth / Advertisement / I Hate the White Man (live) (12" single)
* 1988 Laughing Inside (acoustic)
* 1990 Burn the World (2 track CD / EP)
* 1992 Death or Glory? (4-track CD / single)
* 2005 The Death of God (2-track CD / single)
Downloads
* 2005 The Passions of Great Fortune, Vol. 1 (iTunes Download)
Bootlegs
* 1992 Heavy Crazy (Live in London 1974) (incomplete bootleg CD of The BBC Tapes Volume II (In Concert 1974))
HIGHWAY BLUES
http://www.youtube.com/watch?v=IR35UkNXW8k&feature=relmfu
We can listen to Roy Harper all day & night on youtube, but better yet, go out and get your own and enjoy his legendary talent, all the day and all the night!
__________________________________
I'm just dead, I'm not gone.
-Jim Dickinson |
| 8 L A T E S T R E P L I E S (Newest First) |
| lemonade kid |
Posted - 24/03/2012 : 16:27:01
size=6]Flat Baroque and Berserk (1970) [[/size=6]..a great album indeed.
I Hate The White Man...with lyrics
http://www.youtube.com/watch?v=ZjSEVSvDkhw
Flat Baroque and Berserk is the fourth album by English folk / rock singer-songwriter and guitarist Roy Harper, and was first released in 1970 by Harvest Records.
Flat Baroque and Berserk was the first of Harper's recordings to enter the charts, reaching number 20 in the UK album chart in January 1970.[2] Produced by Peter Jenner and recorded at Abbey Road Studios, Flat Baroque... was the first of eight albums recorded for EMI's Harvest label. Harper has said of the album, "for the first time in my recording career, proper care and attention was paid to the presentation of the song."[3]
The album contains some of Harper's best-known songs. "I Hate the White Man", in particular, is noted for its uncompromising lyrics, and Allmusic described the song as
"certainly one of his most notable (and notorious) compositions, a spew of lilting verbiage that's hard to peg. It could be irony, it could be ironic self-hatred, it could be muddled reflections on the chaos that is the modern world, or it could be a combination of all of them."
Harper described the song as a testament to my lifelong devotion to espousing equal rights for all humans. I have long since wondered about the wisdom of stating that you have more than the capacity to hate your own race for it's (sic) misdemeanors, but as a polemic it has been both an effective tool and somewhere of a place to stand.
The album also features "Another Day", a song of regret for lost love, which was covered as a duet by Kate Bush and Peter Gabriel in her 1979 television special,[5] and later by This Mortal Coil on their 1984 album It'll End in Tears. The cover by Bush led to collaboration with Harper in 1980; he singing backing vocals on her song "Breathing" and she duetting on the track "You" on Harpers album The Unknown Soldier.
The album closes with one of Harper's most rock-based tracks, "Hell's Angels", on which backing is provided by progressive rock band The Nice and features the unusual combination of acoustic guitar played through a wah-wah pedal.
Track listing
All tracks credited to Roy Harper except where indicated
Side One
1. "Don't You Grieve" 5:43
2. "I Hate the White Man" 8:03
3. "Feeling All the Saturday" 1:56
4. "How Does It Feel?" 6:29
5. "Goodbye" 5:42
Side Two
1. "Another Day" 2:57
2. "Davey" 1:30
3. "East of the Sun" 3:02
4. "Tom Tiddler's Ground" 6:48
5. "Francesca" 1:19
6. "Song of the Ages" (H. Ash) 3:52
7. "Hell's Angels" 7:46
Personnel
* Phil McDonald sound engineer
* Neil Richmond sound engineer
* David Bedford additional musician
* Brian Davison additional musician
* Keith Emerson additional musician
* Lee Jackson additional musician
* Tony Visconti additional musician
How Does It Feel/Don't You Grieve
http://www.youtube.com/watch?v=Ky3TFDATa6o
Never stop exploring....
-lk
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We are raised to honor all the wrong explorers & discoverers-
-thieves planting flags, murderers carrying crosses.
Let us at last praise the colonizers of dreams.
-Peter S. Beagle 1973
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| lemonade kid |
Posted - 22/03/2012 : 19:03:04
"FOKLJOKEOPUS" (1969)....reviews & information of notable ALBUMS ...I have.
McGoohan's Blues...set to The Prisoner clips. 1983 live.
http://www.youtube.com/watch?v=UV3ncvNH7JQ&feature=related
Folkjokeopus is the third album issued by English folk / rock singer-songwriter and guitarist Roy Harper. It was produced by Shel Talmy and was first released in 1969 by Liberty Records.
The album is notable for the lengthy track "McGoohan's Blues", which Harper states was "inspired by actor Patrick McGoohan's depiction of the establishment rebel in his TV series, The Prisoner".[1] An extended, Dylanesque strophic form accompanied only by Harper's guitar ("how the sea she roars with laughter/And howls with the dancing wind/To see my two feet standing here/questioning") suddenly segues, after over ten minutes, first into a brief, new and quieter theme and then into a full-band coda.
The searing falsetto of "She's the One" makes for one of Harper's most intense and moving recordings as manic guitar-strumming accompanies his scornful upbraiding of an acquaintance for his self-pitying insensitivity to a "wonderful wife" whom the singer sees and apparently loves as "a very beautiful young woman". Like "McGoohan's Blues", this track seems to butt-join two related but distinct songs.
"One For All" was dedicated to tenor saxophonist Albert Ayler, whom Harper had known in Copenhagen.[1] It includes a lengthy acoustic guitar solo. "Exercising Some Control" and "Manana" may be numbered among Harper's light-hearted crowd-pleasing songs, while "In The Time Of Water" and the Incredible String Bandish "Composer Of Life" are more experimental, the former featuring the sound of water and Harper's sitar. The opening "Sergeant Sunshine" features the voice of Jane Scrivener[2] while other contributing musicians include Nicky Hopkins, Ron Geesin, "Russ" on bass guitar and drummer Clem Cattini. The American release included two extra tracks, "Zaney Janey" and "Ballad of a Songwriter".[3]
The album title was borrowed to provide the name of a Minneapolis record store, Oar Folkjokeopus.
Allmusic, although noting influences such as Bob Dylan, Bert Jansch, Donovan, and possibly Al Stewart, and praising Harper's "uniformly excellent" guitar work, criticised Folkjokeopus for being "sprawling and unwieldy".
The full album...when youtube is back!
http://www.youtube.com/watch?v=8TgS72nudMI
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I disagree with ALLMUSIC. Instead of "sprawling & unwieldy", I would say diverse and a brave exploration of a new genre that only Roy explored....then & now.
________________________________________________
We are raised to honor all the wrong explorers & discoverers-
-thieves planting flags, murderers carrying crosses.
Let us at last praise the colonizers of dreams.
-Peter S. Beagle 1973
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| lemonade kid |
Posted - 22/03/2012 : 00:51:05
quote:
Originally posted by Ashrob
Roy's problem was that he didn't write 3 minute easy to listen to songs. Radio just ignored him and there was only the occasional television performance.
Fortunately he toured regularly.
Spent one New Years Eve listening to him with an unscheduled appearance by Robert Plant (who lives locally).
I think of him as a British Neil Young. Whatever the record label(s) demanded.."write radio friendly songs"...Roy did the opposite!
He was the revolutionary of modern music...pop was an anathema to him.
________________________________________________
We are raised to honor all the wrong explorers & discoverers-
-thieves planting flags, murderers carrying crosses.
Let us at last praise the colonizers of dreams.
-Peter S. Beagle 1973
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| Ashrob |
Posted - 22/03/2012 : 00:11:23
Roy's problem was that he didn't write 3 minute easy to listen to songs. Radio just ignored him and there was only the occasional television performance.
Fortunately he toured regularly.
Spent one New Years Eve listening to him with an unscheduled appearance by Robert Plant (who lives locally).
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| lemonade kid |
Posted - 21/03/2012 : 22:46:34
The Same Old Rock....a brilliant psychedelic acoustic guitar virtuoso performance..12 minutes of joy.
http://www.youtube.com/watch?v=KlBr1eVYq90
________________________________________________
We are raised to honor all the wrong explorers & discoverers-
-thieves planting flags, murderers carrying crosses.
Let us at last praise the colonizers of dreams.
-Peter S. Beagle 1973
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| lemonade kid |
Posted - 21/03/2012 : 21:28:56
quote:
Originally posted by Ashrob
Thank you for this LK. Roy is in my opinion our very best singer/songwriter.
He has been criminally neglected by all forms of media in the UK.
But he was recently interviewed on radio and he confirmed that his music was now selling in America.
Saw him live many times - solo and with his bands - and was always great.
Stormcock should be in everyone's collection.
I agree about STORMCOCK, ashrob. It is highly regarded for good reason!
The great ones are so often neglected, & only admired by their peers...
...sadly, unrecognized by the world at large. Goood to hear he is getting some recognition from the USa!
________________________________________________
We are raised to honor all the wrong explorers & discoverers-
-thieves planting flags, murderers carrying crosses.
Let us at last praise the colonizers of dreams.
-Peter S. Beagle 1973
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| Ashrob |
Posted - 21/03/2012 : 20:10:38
Thank you for this LK. Roy is in my opinion our very best singer/songwriter.
He has been criminally neglected by all forms of media in the UK.
But he was recently interviewed on radio and he confirmed that his music was now selling in America.
Saw him live many times - solo and with his bands - and was always great.
Stormcock should be in everyone's collection. |
| lemonade kid |
Posted - 21/03/2012 : 19:58:24
Feeling all the Saturday/east of the sun/goodbye
http://www.youtube.com/watch?v=yPzPTWz3Psw&feature=relmfu
From "Flat Baroque & Berserk'...such brilliance! You can hear why Donovan idolized him and Zep wrote a tune for him.
Hats off to Roy Harper!
________________________________________________
We are raised to honor all the wrong explorers & discoverers-
-thieves planting flags, murderers carrying crosses.
Let us at last praise the colonizers of dreams.
-Peter S. Beagle 1973
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